Book Review: Just Kids by Patti Smith

Just Kids by Patti Smith Book ReviewThis book gave me a lot of trouble because I was quite moved by it and so, very much wanted to talk about it, but feared just might spoil it (you will know why*). None of the approaches I took felt right, yet  I could not abandon it. Ergo, this is a simple account of a few themes that ran through the compelling memoir of the poet, singer-songwriter and rock ‘n roll artist, Patti Smith.

Nostalgia. Barely twenty, penniless and unsure, but not without an intense desire to become an artist, Smith steps into New York City, then a petri dish for the counterculture of the 1960’s, with widespread use of recreational drugs, free sexual expression & exploration, psychedelic music, and the Beat generation giving way to the hippie culture. Once past my initial shock over their avant-garde lifestyle (credited entirely to the author’s honest and sober narration), I pictured those times in curious wonderment: the nobodies with the potential to be trailblazers; the weirdos, the drug addicts, the experimentalist; the searchers, the idealists, the artists… Those must have been interesting times!

Patti Smith. Cover of Album 'Horses'
P. Smith. Album cover ‘Horses’. By Robert.

The Chelsea Hotel, where, in a peculiar turn of events, Smith and her friend Robert start living. Known to be a haven for writers, musicians, artists, filmmakers and colorful personalities, famous and yet to be famous, one could trade art could for the room-rent. “The Chelsea was like a doll’s house in The Twilight Zone, with a hundred rooms, each a small universe“, she writes. At this point in the book there are several names mentioned, some known to me, others unknown: Andy WarholJimi Hendrix, Janis Joplin, Jim Morrison, Allen Ginsberg and the other Beats,  and a multitude of others that I googled as I encountered, only to get woefully intrigued by their life-stories. Some made it, the rest succumbed to drugs or AIDS, and never lived to see the times they were ahead of.

Patti Smith Robert Mapplethorpe
Patti and Robert

Patti and Robert. What will stay with me is the tender friendship Patti Smith shared with her lover for a while, and best friend forever, Robert Mapplethorpe. It is a beautiful thing to see how they really understood one another, not only as friends but also as artists. “Nobody sees as we do, Patti” Robert would say, and “whenever he said things like that, for a magical space of time, it was if we were the only two people in the world.

Their relationship went through various definitions, but belonged to none. “We were evolving with different needs. I needed to explore beyond myself and Robert needed to search within himself.” With time Robert would discover and accept his homosexuality, and go on to become a famous (albeit controversial) photographer. Smith, a sketch artist and a poet, would finally find her niche and become a musician and the leader of her band ‘The Patti Smith Group’, and start a new life with her husband, Fred. Notwithstanding that, both of them would remain as close friends as they always were.

The last part was heart wrenching and yet there was a sense of innate beauty in its naked truth. Robert gets diagnosed with AIDS. For Patti (and for the reader who is now so invested in their lives), the idea of losing him is extremely unsettling. On his deathbed he wishes that she write their story.

Just Kids is Patti’s a fascinating and poignant tribute to their friendship. *There was something quietly private she tore apart and put out there for the world to read, and it feels like sacrilege to “review” it; one can just relate and respect and carry it in one’s heart. Of course, there is more to the book: Patti’s love for poetry and for poets like Rimbaud and Baudelaire, their times of struggle, their friends and their interesting journey in interesting times. It deserved 5 stars on my Goodreads.

I loved this excerpt from the epilogue ‘A note to the reader’ by the author:

“…There could be many stories I could yet write about Robert, about us. But his is the story I have told you. It is the one he wished me to tell and I have kept my promise. We were Hansel and Gretel and we ventured out into the black forest of the world. There were temptations and witches and demons we never dreamed of and there was the splendor we only partially imagined. No one could speak for these two young people nor tell with any truth of their days and nights together. only Robert and I could tell it. Our story, as he called it. And having gone he left the task to me to tell it to you.

Poem by Smith for Robert- who had the greenest of eyes- for his Memorial:

 Little emerald bird
Wants to fly away
If I cup my hand
Could I make him stay?

Little emerald soul
Little emerald eye
Little emerald soul
Must you say goodbye?

All the things that we pursue
All that we dream
Are composed as nature knew
In a feather green

Little emerald bird
As you light afar
It is true I heard
God is where you are

“Khwaja mere khwaja” from Jodha Akbar

Jodha Akbar
Jodha Akbar: Aishwarya Rai as Princess Jodha Bai

I happened to watch Jodha Akbar in the theater for more than once. Rather, I chose to. I liked a lot of things about the film, especially the song “khwaja mere khwaja“. Interestingly, it turns out that the track wasn’t originally meant for the movie; AR Rahman had composed it sometime back for himself to listen to. A regular visitor of Khwaja Moinuddin Chisti shrine for a decade and a half, Rahman agreed to let Ashutosh Gowarikar use it in the film “only if gets the respect it deserves”.

In the film, a group of white clad Sufi mystics from Khwaja Moinuddin Chisti sing this song to Emperor Akbar in the open amidst burning torches. As words of praise for the saint start pouring with the gripping beat, it enchants the audience. The chorus and the singing elevates the listeners to their higher selves. Young emperor Akbar’s uninterrupted fixed look reflects his intense involvement. As the song progresses,  the seated group of singers who are now completely in a trance rise and with one hand raised, start dancing still singing Khwajaji’s name.  As the chanting increases, Akbar shuts his eyes for a moment and as if in a flash, slips into a divine trance, rises from his seat oblivious to the people around him and joins the dancing singers! With one hand raised with his gaze towards the sky, he loses touch with this world to enter a higher one, which is the hallmark of the song!

Jodha bai (Aishwarya rai) during the song Khwaja Mere Khwaja from Jodha Akbar.
Jodha bai (Aishwarya rai) in the women’s quarters during the song Khwaja Mere Khwaja from Jodha Akbar.

Composed an sung by Rahman himself, “khwaja mere khwaja” certainly generates a strong spiritual sentiment in its listeners. Once you listen to it, the song keeps playing in your mind for a long time. In the film, it tries to successfully establish a strong spiritual inclination as part of Akbars character which possibly lends him wisdom while making several significant decisions in the capacity of an Emperor who is still young. I was appalled to notice how some viewers ridiculed Akbars reaction. Probably this cross-section is not conditioned to think or expect beyond the mediocre confines set by the commerical Indian cinema. So they dont know how to handle it. According to me, this song has set a remarkable precedent for filmakers now and in time to come.