Born A Crime: Stories From a South African Childhood by Trevor Noah (Book Review)

img_1434Intro: You know Trevor Noah, right? The Daily Show on CC, its previous host Jon Stewart, his replacement and all that good stuff? No? Then wherever have you been getting your ‘authentic news’ from? And if you know him, Noah’s biracial looks, his almost British accent and his sincere humor would’ve made you curious. And when his book came out, you’d have wanted to read whats the fuss all about (and understand why he is even writing an autobiographical book in his early 30’s!). I wanted to read it too, but it was Bill Gates recommendation that made me move it from my ‘To Be Read’ list to ‘currently reading’.

About: Born in apartheid to a black native mother and a white father, (during a time when inter-racial relationships were against the law with up to five years of imprisonment) Trevor’s birth was actually the result of a “crime”. This is where the book gets its name (in case you were wondering). Being the comedian that he is, one is poised to laugh at some joke he is going to crack, and so when you start reading his book, you are not surprised by the humor. What is surprising, a few pages in, is when it is not all jokes. He talks about apartheid not as a concept, but as a day-to-day reality he grew up in, about the racial discrimination and miserable lives of the black natives in ghettos (away from the white neighborhoods), with hardly any means struggling to make ends meet. For me, all I knew was “apartheid” is policy of “discrimination based on one’s race” and that it ended in South Africa after Nelson Mandela became the first black president; this book shocked me with the length, breadth and the depth of it. And how the world outside (especially, America) is so different with so much going on.

Noah describes how the black community kept fixing problems of the past, when they were pillaged for generations, and never progressed using skills or education to move ahead in life. It was a curse that Noah’s mother called the “black tax” that they had to keep paying just to bring everyone back up to zero. Read this excerpt from the book just for the sake of perspective:

“I often meet people in the West who insist that the Holocaust was the worst atrocity in human history, without question. Yes, it was horrific. But I often wonder, with African atrocities like in the Congo, how horrific were they? The thing Africans don’t have that Jewish people do have is documentation. The Nazis kept meticulous records, took pictures, made films. And that’s really what it comes down to. Holocaust victims count because Hitler counted them. Six million people killed. We can all look at that number and rightly be horrified. But when you read through the history of atrocities against Africans, there are no numbers, only guesses. It’s harder to be horrified by a guess. When Portugal and Belgium were plundering Angola and the Congo, they weren’t counting the black people they slaughtered. How many black people died harvesting rubber in the Congo? In the gold and diamond mines of the Transvaal?”

Sounds terrible isn’t it? Stuff like that certainly gives me the blues and I go in a denial mode, but Noah’s humorous take on everything lets you take it all in without any of that gloom – that, I think, is the value of this book! Some incidents are outright hilarious and you could not stop laughing out loud. The mixed kid that he was (and looked), Trevor was always confused which group he really belonged to – blacks, ‘coloureds’, Indians or the whites – and his insight into their inter-group dynamics is nothing short of remarkable. But he found is place as someone who gets people’s work done, and so, he was welcome everywhere! “I became a chameleon. My color didn’t change, but I could change your of my color.” His coming of age chapters are entertaining with his many heartbreaks, his years of hustling selling pirated CDs, being a DJ and all his entrepreneurial endeavors which he pulled off quite successfully.

The main theme of the book is Noah’s relationship with his mother, Patricia Noah, who raised him singlehandedly. She was stubbornly religious and tried her best to inculcate religious faith in him. But she was also an independent thinker, fierce and fearless, who raised her son by never letting any social, racial or economic boundaries come in the way. She understood the importance of language, and made sure Noah learnt to speak English (which black people did not), along with other native tongues. Trevor was a very naughty kid and a handful for his mother, almost always giving her a good chase around the neighborhood. Nevertheless, they were a great team and he credits his mother for making a man out of him; this book is Noah’s heartfelt tribute to his mother.

Born A Crime: Stories From a South African Childhood is entertaining, interesting and, of course, funny. But you would leave the book having learnt so much about racial discrimination, poverty, domestic violence and adversity, and everything that made such a brilliant comedian out of him!

 

 

EXTRAS:

“My own family basically did what the American justice system does: I was given more lenient treatment than the black kids. Growing up the way I did, I learned how easy it is for white people to get comfortable with a system that awards them all the perks. I had a choice. I could champion racial justice in our home, or I could enjoy granny’s cookies.
I went with the cookies.”

“That, and so many other smaller incidents in my life, made me realize that language, even more than color, defines who you are to people. I became a chameleon. My color didn’t change, but I could change your perception of my color.”

“The hood made me realize that crime succeeds because crime does the one thing the government doesn’t do: crime cares. Crime is grassroots. Crime looks for the young kids who need support and a lifting hand. Crime offers internship programs and summer jobs and opportunities for advancement. Crime gets involved in the community. Crime doesn’t discriminate.”

“It’s easy to be judgmental about crime when you live in a world wealthy enough to be removed from it. But the hood taught me that everyone has different notions of right and wrong, different definitions of what constitutes crime, and what level of crime they’re willing to participate in.”

“Growing up in a home of abuse, you struggle with the notion that you can love a person you hate, or hate a person you love. It’s a strange feeling. You want to live in a world where someone is good or bad, where you either hate them or love them, but that’s not how people are.”


Book Review: ON WRITING – A Memoir of the Craft by Stephen King

Stephen King_On_Writing_A Memoir_of_the_Craft. Book Cover pageLets first get this out of the way: I am not a Stephen King fan, nor have I ever read any of his other works, only because I was never into the genre he mostly writes. However, whatever connection I do have with him is through one of his novellas that was adapted into one of the finest movies ever made: The Shawshank Redemption (I resisted putting a couple hearts here). This is my first book by him, and the second on writing, after Bird by BirdOn Writing: A Memoir of the Craft gives a zoomed in view of a successful writer’s entire process. If I was so amazed to read what all actually goes into writing a fiction novel (doubting if I could ever do all that), I was equally inspired to try it out, and excited to see the “magic” happen. In this book, King doesn’t give a success formula or a to-do list, but instead, discusses in detail some very fundamental aspects of writing, some of which are summarized below.

LIFE
The first few pages are about several stories about King’s early life. He and his older brother were raised by a single mother with limited means. Later, even as a father of two toddlers doing two jobs, King struggled to make ends meet, up until the commercial success of Carrie. While he was quite candid about his alcohol and drug addiction, his recovery and how he bounced back is very inspiring, destroying in the process any myths that stimulants are necessary to aid writers or artists in their art. Halfway through the writing of this book, he met with an almost fatal accident during one of his daily walks. Amidst series of operations and painful physical therapy, he resumed work on this book.

STORY
King believes that story is the boss in fiction writing and it is the most important thing readers will want. He says good ideas come sailing at you right out of the empty sky and that the writers job is to recognize them when they show up. Don’t know why, but I feel I am somehow violating trust by putting this very sacred and profound sentence out there, but I will: Stories are relics, part of an undiscovered pre-existing world. The writers job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible. I think it is much like remembering a dream: you want to try hard recalling it, yet not inadvertently add your own details in the process, to get the dream as intact as possible.

READING
Read. Read. Read. Reading creates an ease and intimacy with the process of writing. King reads ‘anything and everything he can lay his hands on’ and for those who want to know his recommendations, there is a long list of books at the end.

WRITING

  • Writers ‘toolbox’ should be well equipped with a strong vocabulary and solid grammar. Not surprisingly, he praises the classic Elements of Style by William Strunk Jr. and E. B. White.
  • He detests unnecessary use of adverbs and of passive voice (attributes it to a lack of confidence and/or affectation of authority), advises writers the same.
  • A serious writer would write between 4-6 hours everyday, without any distractions whatsoever (with doors closed and curtains drawn); this is the time to  dive deep within.
  • It is important to write about what you really know well. Write what you like and then imbue it with live and make it unique by blending in your own personal knowledge of life, friendship, relationships, sex and work.
  • Write what rings true to you.
  • His little formula for editing: First completed draft = Second draft – 10%.  There is a sample passage showing his first draft and the edited second, with notes, which I thought is very useful.

The last part is about actual publishing, finding an agent and such. I think a lot has changed since 1999 making this information a bit outdated.

King makes a promise to his readers that this book is going to be to the point, without “any BS”, and he keeps it. There is lots of good advice and memorable sentences worth framing. Some of the paragraphs are so beautifully written that I typed the entire passages in my phone Notes for the fear of losing the beauty or wisdom in them to time or memory. When his writing is not clever or stylish, it is endearing. For instance, he gives you the reader a Permission Slip: If you feel you need permission to do all the reading and writing your heart desires, consider it hereby granted by yours truly.  

On Writing is a masterclass for aspiring writers or bloggers that should not be missed. 4.5 stars on my Goodreads.
Get it on: Amazon iBooks BN
Some of my frames are here:

Bird by Bird by Anne Lamott

Bird by Bird by Anne Lamott
Bird by Bird by Anne Lamott

Having googled “the best books on writing”, this website came up in the first few web results. Of the list provided there, I chose to start with reading Bird by Bird: Some Instructions on Writing and Life by Anne Lamott.

The book is systematically divided into five parts. The first part primarily deals with the nuts and bolts of writing, zoomed in when one sits to write. Starting with the most difficult aspect of how to get started, it talks also about the ‘first drafts’, focusing on one aspect at a time, character and plot development, and designing the setting. Parts 2-5 are more on the philosophy of writing and the subtler aspects like  listening to the inner voice (and not listening to it when its being mean), doing the research, getting help, dealing with ‘writers block’ etc. Publishing is also included. The final part, the one I loved most, is where she takes it to the highest level, much like a crescendo, motivating you in such a way that you cant help but do the ‘sacred duty of writing’. I believe that bringing out the best in a person is a great thing, and this book does it leaving you feeling expanded and inspired.

All the steps and tools mentioned seem organic and intuitive, as against a ready-made formula of some sort. After all, its important to recognize writing done for the sake of joy of itself, rather than for just seeing ones name in print. It is peppered with interesting quotes and anecdotes throughout. The best part, however, is the humor weaved into the “lessons”, self-deprecating more often than not. As you laugh, you cant help but love her for it. I think, by exposing her flaws to the readers, she destroys any misconceptions of larger-than-life writers/writings, and about herself. That is very generous and magnanimous of her.

All in all, a very comprehensive book and has become a classic on writing for a very good reason. I would highly recommend it for aspiring writers and bloggers alike.